2015 Emmy Snubs and Flubs: The More Things Change…

The many faces of Maslany

The many faces of Maslany

Award nominations are always a crap shoot. As someone who’s been involved in several smaller-scale award slates, I can testify to how complicated and idiosyncratic the process can be. But all of my knowledge—and the world-weary acceptance of a long-time TV and movie fan— doesn’t help when the Emmy and Oscar ballots come out and some stellar performances get overlooked for tired always-haves.

The 2015 Primetime Emmy nominations were announced today and the list saw some joyous inclusions — like Orphan Black‘s Tatiana Maslany, who plays several distinct clones with a mind-blowing talent and Taraji P. Henson, overlooked and underused on CBS’ Person of Interest and a force to be reckoned with on FOX’s Empire as Cookie Lyon.

Praise Cookie.

Praise Cookie.

I am beyond thrilled for Tatiana, Taraji and How to Get Away With Murder‘s Viola Davis. But the status quo hasn’t really changed. Where are the nominations for Orphan Black and Empire as shows? The latter brought in unprecedented numbers and had viewers riveted. Was Mad Men sincerely better this year? The Academy continues to rely on the Homeland/Modern Family/whatever-we-did-last-year model of nominations. We again see premium cable and Netflix cleaning up, without any recognition some of the year’s most breath-taking performances on network and basic.

 

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Game of No: Why Rape is Not the Answer to Your Story Question

Writing a sexual assault into your canon? Take a look at this handy-dandy checklist first:

When is it Okay to Use Rape as a Plot Device?
Never.

And, yet, it persists. So many television shows, both daytime and primetime, revert to rape as a “deep” or “edgy” stunt to move a story forward, reveal a piece of characterization, etc. The latest being HBO’s Game of Thrones. Sonia Saraiya at the AV Club wrote a brilliant takedown of the show’s insistence on changing consensual sex scenes to rape scenes here and there’s not much I can add to that but my anger. And my exhaustion.

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