Kahaani: Once Upon a Time in Kolkata

Sujoy Ghosh spins a Kahaani featuring a heroine you can’t help but root for. With the backdrop of Kolkata’s Durga Puja celebration and the overarching metaphor of the mother goddess coming to life to accomplish what the gods never could, Ghosh crafts a masterful thriller…and a wrenchingly human story of loss.

At the center of it all is Vidya Balan, who has cemented her place as Bollywood’s go-to dramatic powerhouse. On the heels of her mesmerizing turns in Ishqiya and The Dirty Picture, Balan again commands the spotlight. She embodies the fiery role of mother, wife and determined sleuth Vidya Bagchi like she just stepped out of the Hindu pantheon. And that’s a deliberate narrative choice! In drawing from the goddess worship that permeates Hindu culture, and Kolkata in particular, Ghosh celebrates the strength and determination of women in a wholly desi fashion. Vidya Bagchi is kickass on multiple levels, and she doesn’t need to be Lara Croft or Evelyn Salt to get the job done. She’s vulnerable, but also immeasurably powerful. Kahaani is a riveting ride from start to finish, and, make no mistake, it’s Vidya Balan in the driver’s seat.

This talented performer has proven she can play the ingenue, the sexpot and the avenging angel with equal finesse. Playing the role of a woman who is eight months pregnant, Balan moves like she’s really carrying low and about to give birth. But Vidya the character is also pregnant with the desire for truth, and that is what she seeks to birth throughout the course of the film.

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You Might Be Obsessed With IPKKND If…

Aakash and Payal

The Indian soap opera Iss Pyaar Ko Kya Naam Doon? is becoming a global hit for Star Plus, and quite the fixation for yours truly. How do you know you’re getting a little too invested in your desi drama? Well, it’s pretty simple!

You might be obsessed with IPKKND if…

…you say “Hai re, Nanda Kishore!” when you’re frustrated.

…you start speaking Hindi like you’re from Lucknow.

…you start speaking Hindi like you’re NK.

…you start speaking Hindi in general, never having spoken it before!

…you start calling out for Hariprakash to do your household chores, even though you don’t have a manservant.

…you find yourself endlessly staring across the room at the object of your affection.

…you debate changing your ringtone to “Rabba Ve.”

…you have to fight the urge to add a “Hi, Bye-bye” every time someone says “Hello.”

…you expect a wind machine to punctuate all the dramatic scenes on your other TV shows.

…you expect a wind machine to punctuate all the dramatic scenes in your life.

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Separation Anxiety: How Far is Too Far in Fictional Love?

When crafting a love story, a certain amount of physical or emotional separation is germane to the narrative. Perhaps you want to build tension. Perhaps there is a task that must be completed — someone is off fighting a war or must slay a dragon. Maybe the characters just need to grow up, and grow into their love for each other. But, after a good amount of pages or season-long arcs, there comes a point where keeping your lovers apart is just separation for the sake of separation…needless dithering that does nothing to move the story forward. Indeed, in a lot of cases, it just traps the story in limbo.

Take a look at ABC’s Castle, which is so determined to keep from falling victim to what many TV aficionados call “the Moonlighting curse” that it is actually creating a trap of its own…a moat, if you will. The show spent x amount of years building Kate and Rick’s affection for each other from friendship to a slow-simmering love. Now, the characters actually know that a love exists between them. Rick said the words when Kate was shot, and she remembered it! Why are we spending the entire season after that climactic reveal pretending it didn’t happen? You cannot go back to a status quo after a game-changer. It’s a bad storytelling decision, because it insults your audience’s intelligence. You’re asking them, right along with the characters, to pretend they never saw the Cupid behind the curtain…and, sorry, but once you’ve pulled the trigger on the story point, you can’t un-fire that gun.

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The Unofficial IPKKND Drinking Game

Three sips!

As an obsessed fan of Star Plus’ Iss Pyar Ko Kya Naam Doon, who devours every detail and picks up on every quirk, I couldn’t help but invent an unofficial IPKKND drinking game. How could I resist, when “Peeke”(I’ve been drinking”) is in the abbreviation?

For your own good, don’t play this with actual booze. I don’t want to be responsible for you blacking out and being rushed to the hospital. So, pour yourself some soda or mango lassi and go to town!

One sip every time…
•Khushi and Arnav stare at each other in a room full of people.
Bua-ji says “Nanda Kisore.”
Mami-ji says, “Hello, hi, bye-bye.”
•Lavanya calls Arnav “ASR.”
•Arnav says, “What the—?!

Two sips every time…
•the wind machine is used.
•Arnav wears his maroon leather suit.
•Khushi has a heart-to-heart with “Devi Maya” (the goddess).
•Shyam calls Anjali “Rani Sahiba.”
•we see Hariprakash (the butler/manservant).
•Arnav grabs Khushi’s wrist and drags her off somewhere.

Three sips every time…
•Akash’s father shows up.
Mami-ji calls Payal “Khoon Bhari Tang.”
•Khushi refers to Arnav as “Lord Governor.” (Four sips if it’s to his face!)
•Arnav calls Khushi “Khushi Kumari Gupta.”
•Laxmi the goat makes an appearance.
•Arnav tells Khushi he never wants to see her/talk to her again.
•Khushi falls into Arnav’s arms.

Four sips every time…
•Khushi wears her hair down.
•Khushi stresses out and makes jalebi.
•either Khushi or Arnav are injured and one takes care of the other.
•Arnav actually apologizes for something.

Chug your drink in celebration if…
•Shyam gets hit by a lorry.
•Arnav and Khushi manage to tell each other how they feel.

Feel free to add your own rules in the comments!


Snapshots of The Dirty Picture

A fictional biopic loosely based on real-life 1980s item girl Silk Smitha, Milan Luthria’s The Dirty Picture has taken Bollywood by storm. It’s a common narrative — a small town girl with big dreams of fame is soon chewed up and spit out by an ugly, male-dominated machine — but what stands out is the riveting, utterly fearless performance by Vidya Balan (Parineeta, Ishqiya). Balan owns the screen with an unapologetic, earthy sexuality that bucks the current global trend of the size zero heroine. As Silk, she is both vulgar and vulnerable, virgin and whore, with a combination of innocence and sensuality caught in the lush roll of her hips.

There’s a certain irony to Balan putting herself out there so thoroughly, writhing for the camera as Silk shimmies her way into the South Indian cinema spotlight. In order to play Silk, Balan had to embrace the sexuality that Silk was derided for. Just as Silk’s audience is in the cheap seats, crowding the theaters for one titillating flash of her bared midriff, the real audience is leaning forward, similarly captivated by Balan’s.

(Major plot spoilers ahead.)

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The Kardashians and Scripted Reality: Keeping It Reel

RPF or “Real Person Fanfiction” has long been a staple of the fannish world and the literary world. Whether it’s Taylor Swift and the JoBros or romance featuring the cast members of the Lord of the Rings films… or tabloid headlines about Jennifer Aniston’s continued heartbreak over Brangelina… people have a fascination with celebrity persona and the stories beyond the stage and screen. What is historical fiction but liberties taken with the celebrities of the past? And let’s not forget contemporary reality-based fiction like The Social Network, which fictionalized the lives of people who exist in the here and now and then won awards for it. Is it any surprise that the booming business of reality-based television has embraced its own version of the genre and found a way to monetize it?

Much of the Internet community was in an uproar today as E! “broke the news” of Kim Kardashian’s impending divorce from new husband Kris Humphries. But, realistically, their entire relationship has been manufactured for E!’s cameras. I wouldn’t be surprised if the divorce was planned from the beginning, specifically to coincide with the November Sweeps ratings period. And the hefty wedding price tag…? Likely balanced out by ad sales and sponsorships arranged by E!’s savvy marketing and sales department. I hate to pull back the curtain and point gleefully at the Wizard, but the Kardashians’ whole lives are, to some degree, scripted for the viewing public. They’re real, but they still play characters. Much like the denizens of MTV’s Laguna Beach and The Hills.

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IPKKND Sends Love Letters To This Lifelong Soap Fan

Soaps may be reaching their golden years here in the United States, but, overseas, the genre is experiencing a veritable silver jubilee! India, which many Nonresident Indians remember as having only networks like DD1 and DD2, has dozens of soap operas — or “serials” — currently on the air, on various cable and satellite channels throughout the world. And, for those of us without a satellite dish, there’s streaming video available on many of the network web sites! My new personal favorite serial is StarPlus’ Iss Pyaar Ko Kya Naam Doon (What Do We Name This Love?), which hooked me last Friday while I was visiting relatives.

IPKKND debuted in June and has already run for 100 episodes. The Hindi sudser centers around the lives of rich, arrogant, Mr. Darcy-esque Arnav Singh Raizada (Barun Sobti), adorkable working class Khushi (Sanaya Irani) and their loved ones. Much like U.S. soaps, there are common themes of family, business, romance, forbidden love and even bigamy! Indicative of the modern direction of Indian soaps (and the society they reflect) the premise of IPKKND is that Arnav’s former employee, Khushi, has been brought in to “train” his live-in girlfriend Lavanya to be more traditional. Of course, in the process of Khushi guiding and championing Lavanya, she and Arnav have developed quite the attraction. While they try to stifle the sparks, they constantly clash over his cynical view of the world and her passion for standing up for what you believe in.

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More Than Words: Putting A Little Oomph Behind “I Love You”

-Westley, THE PRINCESS BRIDE

“That day, she was amazed to discover that when he was saying ‘As you wish,’ what he meant was, ‘I love you.’ “
–The Princess Bride

Those three little words are great and all, but some of my favorite romantic moments involve fictional characters expressing their feelings without actually saying them! Whether it’s a look, a touch or an exasperated lecture some pairs get those messy, wonderful, emotions across with more than just the basic brass tacks of a traditional declaration.

So, without further ado, here are five “As You Wish”-style scenes that never fail to get to me!

1. Criminal Minds‘ Morgan (Shemar Moore) is driving an ambulance rigged to explode, as his best friend Garcia (Kirsten Vangsness) is forced to listen: www.youtube.com/watch?v=G4vRHeRHZsE The sheer relief from both of them after he survives the explosion is what’s truly incendiary, and I don’t know if there’s a more stunning declaration of love than “you are my God-given solace.” These two have been friends-who-flirt for ages, but it was this scene that underscored how much deeper their bond really is.

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You Gotta Have Hart: Why Ringer Has Me Whistling Dixie

-THE CW

The CW’s Hart of Dixie is not jaw-droppingly brilliant TV, and it’s not some seminal literary work about the American South. It’s not Faulkner, it’s not Flannery O’Connor. It’s not Tennessee Williams. Heck, it’s not even Alexandra Ripley’s sanctioned Gone With The Wind fan fiction, Scarlett. There are more corny stereotypes than you can shake a stick at, and Jaime King‘s unfortunately (but accurately) named Lemon frequently looks like she wandered off the cover of a Civil War-era romance novel. But for all the elements it’s weak in, HoD has oodles of (to indulge the cliché) heart. And that’s something sorely lacking in the other new CW show I’ve been sucked into watching, Ringer.

Though both HoD and Ringer are shot in LA instead of their respective small town Alabama and New York City settings, the two series couldn’t be more different in tone. Maybe it’s the residual vibe from the Gilmore Girls‘ Star’s Hollow set that HoD is using, but there’s a warmth in every frame. Contrast that to the cold, distancing, almost alien mise-en-scene of Ringer. And both shows boast fantastic, talented, casts… but the characters are on different planets.

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Enjoying the Sonny Weather in DAYS’ Salem

Move over Kurt and Santana, Sonny Kiriakis is in town!

The rest of the TV viewing universe may think Ryan Murphy Glee-fully cornered the market on visible gay youth, but soap fans know that our genre has been trailblazing in this department for years. Another Ryan, Ryan Phillippe, played Billy Douglas on OLTL from 1992-93. And remember AMC’s sweet Kevin Sheffield (Ben Jorgensen)? Then, of course, there was Bianca Montgomery (Eden Riegel), who rocked both daytime and her legendary mama Erica Kane when she came out in 2000. Six years later, ATWT’s Luke Snyder (Van Hansis) came out to his family and a year after that, he helped the coming out process of another boy, Noah Mayer (Jake Silbermann). Daytime has consistently given gay teens a voice, without resorting to song and dance routines and landing on the cover of Entertainment Weekly. Now, Days of our Lives, oft considered one of the most conservative sudsers, has joined the chorus.

Freddie Smith‘s out and proud Sonny Kiriakis, the young scion of one of DAYS’ most notorious families, breezed into Salem earlier this year. When most TV shows are still telling formulaic coming out stories, it’s kind of refreshing to have Sonny join the canvas without the requisite angst of such a tale. Most LGBT narratives seemed designed for maximum suffering: as if a character must jump hurdle after hurdle just to be allowed to be. But Sonny, a sports enthusiast, came to Salem having already scaled mountains. His parents, veteran characters Justin and Adrienne, are textbook PFLAG parents, completely supportive, and his cantankerous great-uncle Victor also surprised viewers by responding positively. Of course, because it is a soap, and because people do still need to have their eyes opened, the “teaching moments” are still a huge part of the story. Sonny is definitely a mouthpiece for a message of tolerance. There was an obligatory homophobia arc, and Sonny still spouts educational platitudes that are directly aimed at the audience. (I long for the day when telling a LGBT story doesn’t require such hand-holding.) But there’s an ease to Smith’s line delivery that softens the blow of the 2×4 upside the head. He’s so self-assured that when he’s stumping for acceptance it’s usually with a smile and a shrug.

This takedown of homophobic teen T features Sonny’s trademark wit and the strength of his convictions, as well as Uncle Vic’s badassery. And that’s how the characters roll: delivering life lessons and laughs in turns.

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